The mysteries of the Born to Run cover have assumed a mythical status that did not, of course, exist at the moment the album first appeared. Masur have made much of that moment and proclaimed that the cover signals an epic journey, even comparing it to Huck and Jim in The Adventures of Huckleberry Finn and Sidney Poitier and Tony Curtis in The Defiant Ones. The need to include the lyrics and a lot of credits was something foremost in my mind when I chose to shoot against a white background.Įric continues: “Springsteen biographers and hagiographers as diverse as Dave Marsh and Louis P. This included departing band members who were on some of the tracks, along with the new band members, and session musicians such as the Brecker brothers, Dave Sanborn and Wayne Andre, Springsteen’s manager and producers (Appel and Jon Landau), art directors John Berg and Andy Engel, and myself, among others. As well, to the credit of Columbia and Bruce, nearly every single person who had any major part in the album’s creation was given credit on the album’s jacket.
![ripping the edges of pictures in print artist platinum 24 ripping the edges of pictures in print artist platinum 24](https://cdn.shopify.com/s/files/1/0330/5311/4503/products/Square_web_ParadisePointcopy_f16fd39f-d6fa-474e-b6f1-4f24b93d3b5c_1200x1200.jpg)
In contrast, one thing was certain about the album design for Born to Run-the lyrics would be included, as this was a set of words that Bruce had labored over for more than a year. A sprawling tone poem that echoes Van Morrison’s Astral Weeks, it is one of his most romantic albums, and it moves Springsteen’s world back and forth from the New Jersey shore to New York’s streets, in songs as varied as “4 th of July, Asbury Park,” and “Incident on 57 th Street.” Yet for the small group of fans that was beginning to form, and who were captivated by Bruce’s every word, it contained a glaring omission-none of the lyrics were reproduced on the album’s jacket as they were on his first album Greetings from Asbury Park. It was released on September 11, 1973, a few days before his 24 th birthday. It had been just two hours.”Įric continues: “Part of the cover design for Born to Run was the result of a decision that Bruce made with regard to his second album The Wild, the Innocent and the E Street Shuffle. As we walked back to the studio, I glanced at my watch. Then, we went outside, and I shot another few rolls underneath the fire escape. We made quick changes of clothing and in the space of an hour and a half I shot almost 600 images.
![ripping the edges of pictures in print artist platinum 24 ripping the edges of pictures in print artist platinum 24](https://pictures.abebooks.com/inventory/30066177575_4.jpg)
As Clarence riffed on several sequences of notes, I began shooting. I kept several wooden boxes around the studio to adjust for height discrepancies, though for much of the shooting I did not use them. There was a six to seven inch difference in their height, and Clarence wore a tall black fedora during much of the shoot. It was just us – no stylist, no ‘hair and makeup’, no assistant. I had the Rolling Stones album December’s Children playing.
![ripping the edges of pictures in print artist platinum 24 ripping the edges of pictures in print artist platinum 24](https://images-na.ssl-images-amazon.com/images/I/41AsF7QNOzL._SY373_BO1,204,203,200_.jpg)
“Around 10 or 11am on June 20th, 1975, Bruce and Clarence walked into my studio on the fourth floor at 134 Fifth Avenue, carrying their instruments and a few changes of clothing. PLEASE NOTE THAT ORDERS PLACED IN JANUARY/FEBRUARY 2021 WILL BE SHIPPED IN MARCH 2021Įric Meola sets the scene on one of the most important photo shoots in rock ‘n’ roll history. The reaction from collectors to the quality of Eric’s prints – which are made by Eric personally – ranges from ” WOW” to ” Holy S**t these are amazing!” and everything in between.Įric offers his work to collectors in a choice of physical size options, in very small and exclusive limited editions. In stark contrast to the bulk of his work, Eric’s session with Bruce Springsteen and Clarence Clemons in 1975 to make the cover photograph for Born To Run (one of his few rock ‘n’ roll sessions) was shot entirely on black and white film. We hosted the world premiere exhibition of photographs from Eric’s Born To Run sessions at the gallery in 2006, and subsequently Eric has released other images from his Springsteen archives, including a range of beautiful portraits from his sessions in 1977/78 for Darkness on the Edge of Town.
![ripping the edges of pictures in print artist platinum 24 ripping the edges of pictures in print artist platinum 24](https://igetintopc.com/wp-content/uploads/2017/08/Print-Artist-Platinum-24-Download-For-Free_1.jpg)
Without doubt the most popular photographs that we offer for sale at the gallery are from the Bruce Springsteen archives of Eric Meola. His photographs are in many private and public collections including the International Center of Photography, the National Portrait Gallery in Washington DC and the George Eastman House. Eric Meola is a highly regarded American photographer who is probably best known for his vibrant color images.